FABRITIUS, Carel
Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure
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FABRITIUS, Carel View of the City of Delft dfg oil painting


View of the City of Delft dfg
1652 Oil on canvas, 15,4 x 31,6 cm National Gallery, London
Painting ID::  6632 		FABRITIUS, Carel
View of the City of Delft dfg
1652 Oil on canvas, 15,4 x 31,6 cm National Gallery, London
   
   
     
FABRITIUS, Carel The Goldfinch (mk08) oil painting


The Goldfinch (mk08)
1654 Oil on panel. 33.5x22.8cm The Hague,Mauritshuis
Painting ID::  21791 		FABRITIUS, Carel
The Goldfinch (mk08)
1654 Oil on panel. 33.5x22.8cm The Hague,Mauritshuis
   
   
     
FABRITIUS, Carel The Goldfinch oil painting


The Goldfinch
mk86 1654 Oil on panel 33.5x22.8cm The Hague,Mauritshuis
Painting ID::  33724 		FABRITIUS, Carel
The Goldfinch
mk86 1654 Oil on panel 33.5x22.8cm The Hague,Mauritshuis
   
   
     
FABRITIUS, Carel Hagar and the Angel oil painting


Hagar and the Angel
Date ca. 1643-1645 Medium Oil on canvas Dimensions 157.5 X 136 cm (62.01 X 53.54 in) cyf
Painting ID::  74306 		FABRITIUS, Carel
Hagar and the Angel
Date ca. 1643-1645 Medium Oil on canvas Dimensions 157.5 X 136 cm (62.01 X 53.54 in) cyf
   
   
     
FABRITIUS, Carel Young Girl Plucking a Duck oil painting


Young Girl Plucking a Duck
Oil on canvas Dimensions 84,1 x 70 cm cyf
Painting ID::  82859 		FABRITIUS, Carel
Young Girl Plucking a Duck
Oil on canvas Dimensions 84,1 x 70 cm cyf
   
   
     
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     FABRITIUS, Carel
     Dutch Baroque Era Painter, 1622-1654 Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter's unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius's late works in which his use of cool silvery colours to define forms in space marks a radical departure

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